6.以____為代表的繪畫擬古思想，在清初畫壇上是占統(tǒng)治地位的正統(tǒng)藝術觀。

A.四僧                                                           B.四王    

C.浙派                                                           D.吳派

7.“將無項，女無肩”、“坐看五，立量七”是唐五代____中繪畫經(jīng)驗的總結。

A.《筆法記》                                                B.《畫斷》    

C.《林泉高致》                                             D.《畫論》

8.將畫竹過程分為“眼中之竹”、“胸中之竹”、“手中之竹”的畫家是

A.文同                                                           B.鄭燮    

C.蘇軾                                                           D.石濤

9.南宗畫系宗主是

A.蘇軾                                                           B.米芾    

C.王維                                                           D.董源

10.提出畫山水具有三備：“理”、“趣”、“韻”的元代畫家是

A.趙孟頫                                                       B.李衎    

C.黃公望                                                       D.倪瓚

11.是中國也是世界上第一篇正式的山水畫論作者是

A.倪瓚                                                           B.顧愷之 

C.宗炳                                                           D.王微

12.著有《虹廬畫談》的是

A.徐渭                                                           B.黃賓虹 

C.王履                                                           D.石濤

13.明代提出山水畫南北宗論的是____，這是中國繪畫史上第一次提出的關于畫派的理論。

A.王紱                                                           B.董其昌 

C.王履                                                           D.鄭燮

14.“筆墨本無情，不可使運用筆墨者無情。作畫在攝情，不可使鑒畫者不生情�！笔乔宕�畫家____所提出。

A.惲格                                                           B.朱耷    

C.石濤                                                           D.金農(nóng)

15.康有為變法論主要內(nèi)容是

A.中西合                                                       B.打倒王畫

C.美術革命                                                    D.寫意為主而不取形神