11．司馬相如《天子游獵賦》的最主要表現(xiàn)手法是

A．直抒胸臆                                                   B．比喻象征

C．情景交融                                                   D．鋪敘摹繪

12．對(duì)馮衍《顯志賦》創(chuàng)作影響較大的是

A．枚乘賦                                                       B．屈原賦

C．孔臧賦                                                       D．賈誼賦

13．下列詩(shī)句出自《古詩(shī)十九首》的是

A．馨香盈懷袖，路遠(yuǎn)莫致之。                       B．臨河濯長(zhǎng)纓，念子悵悠悠。

C．結(jié)志青云上，何時(shí)復(fù)來(lái)還。                       D．北方有佳人，絕世而獨(dú)立。

14．漢樂(lè)府《艷歌何嘗行》所表現(xiàn)的是

A．兄弟冷漠相忘                                            B．夫婦生死相依

C．女子地位卑下                                            D．戰(zhàn)爭(zhēng)慘無(wú)人道

15．曹操今傳詩(shī)作皆為

A．樂(lè)府詩(shī)                                                       B．雜律詩(shī)

C．格律詩(shī)                                                       D．騷體詩(shī)

16．建安詩(shī)人的共同創(chuàng)作傾向是

A．追求沖淡之美                                            B．追求淺顯流麗

C．追求悲涼之美                                            D．追求觀賞愉悅

17．蔡琰的五言《悲憤詩(shī)》的字?jǐn)?shù)為

A．50字以內(nèi)                                                   B．100字以內(nèi)

C．500字以上                                                 D．1000字以上

18．被稱為詩(shī)風(fēng)“峻切”的正始詩(shī)人是

A．阮籍                                                          B．嵇康

C．應(yīng)璩                                                          D．何晏

19．元嘉詩(shī)壇“才秀人微”的作家是

A．謝靈運(yùn)                                                       B．顏延之

C．謝莊                                                          D．鮑照

20．徐陵編成《玉臺(tái)新詠》是在

A．宮體詩(shī)的先導(dǎo)階段                                     B．宮體詩(shī)的高峰階段

C．宮體詩(shī)的尾聲期                                         D．宮體詩(shī)退出文壇以后