2017上半年翻譯資格考試高級(jí)筆譯復(fù)習(xí)沖刺9

　　銅鏡

　　我們?cè)趨⒂^博物館時(shí)，常�？吹礁鞣N古代銅鏡。它是我國(guó)古代人民用來(lái)整容的家庭日用品。這些銅鏡大多是從古墓中出土的，也有少數(shù)是傳世之物。

　　早在公元前11世紀(jì)，我國(guó)先民已經(jīng)使用銅鏡了。戰(zhàn)國(guó)時(shí)期，銅鏡在民間盛行。鏡的正面磨光發(fā)亮，背面有的飾單層或雙層花紋，常見(jiàn)的有獸面紋、花葉紋、龍鳳紋等。西漢時(shí)期，銅鏡較厚重，紋飾多幾何圖案、神人和禽獸紋等。并有鑄刻銘文，每句僅三至四字，例如：“長(zhǎng)相思”、“毋相忘”、“常富貴”、“樂(lè)未央”等。內(nèi)容多是通俗的吉祥語(yǔ)。宋、元時(shí)期出現(xiàn)了圓鏡、長(zhǎng)方鏡、菱鏡、八棱鏡和帶柄手鏡等。清代以后，逐漸被玻璃鏡所代替。

　　上海博物館展出一件銅鏡——“透光鏡”，它是西漢時(shí)期的珍品，直徑為11 .5厘米。這面銅鏡與普通銅鏡一樣，背面有圖案，還有銘文。奇怪的是，當(dāng)一束光線照到鏡面，。反射投影在墻壁上，墻上的光亮圈內(nèi)竟出現(xiàn)銅鏡背面的圖案和文字，好像從鏡背“透”過(guò)來(lái)的，故稱“透光鏡”。對(duì)于這種現(xiàn)象，在過(guò)去很長(zhǎng)的時(shí)間里，連科學(xué)家們都感到驚奇，人們把它稱做“魔鏡”。今天，我國(guó)已可仿制出售，作為旅游紀(jì)念品，很受外國(guó)游客的歡迎。

　　我國(guó)古代常把銅鏡當(dāng)做隨葬品。在古墓中，往往發(fā)現(xiàn)銅鏡放置在死者的頭頂或胸側(cè)。有時(shí)把銅鏡和木梳一起放在漆匣內(nèi)或小荷包里。在發(fā)掘古墓時(shí)，還發(fā)現(xiàn)有的銅鏡放在墓頂上方，據(jù)說(shuō)這是為了“辟邪”和“降妖”。

　　The Bronze Mirror

　　Whenever we visit a museum, we see various types of ancient bronze mirrors. Used as a household necessity for dressing by the ancient Chinese people, these bronze mirrors were mostly unearthed from ancient tombs, while some are kept as heirlooms.

　　Our ancestors started to use bronze mirrors in as early as the 11th century B.C. During the Warring States Period, bronze mirrors prevailed among the populace. The front side of the mirrors, after being polished, glistens while the backside is embellished with single-layered or double-layered patterns, among which the commonly seen are thus- of animal faces, flowers and leaves, dragons and phoenixes. During the Western flan Period, the bronze mirrors used to be relatively thick and heavy. Most of the decorative patterns were of geometrical forms, supernatural figures, or fowls and animals, accompanied by inscriptions of only three or four characters with such meanings as "eternal love", "never to forget", "wealth for ever" and "everlasting happiness". The content frequently dealt with common well-wishings. During the Song and Yuan Dynasties the bronze mirrors appeared in all shapes: round, rectangular, rhomboidal, octagonal, and those with a handle. Since the Qing Dynasty, however, the bronze mirror has gradually given way to the glass mirror.

　　In Shanghai Museum, one finds a treasure of the Western Han Period, the "penetrative bronze mirror", measuring 11.5cm. in diameter. Like ordinary bronze mirrors it bears patterns and inscriptions on the back. But what amazes people is that when a bundle of rays is projected onto the surface of the mirror, which, in turn, reflects the light on the wall, the patterns and inscriptions on the backside are shown in the ring of the light, as if they had penetrated the whole thickness of the mirror. Hence the name of the mirror. For a long time in the past, even scientists were so puzzled at the phenomenon that it was called a "magic mirror". Today, reproductions of this mirror are being made and sold as souvenirs and they appeal very much to tourists.

　　In ancient times, bronze mirrors were very often used as sacrificial objects. In the ancient tombs, one can always expect to find bronze mirrors placed on top of the head or beside the chest of the dead. Sometimes, bronze mirrors and combs were put together in lacquer boxes or small pouches. In unearthing ancient tombs, bronze mirrors were sometimes discovered on the inner topsides, in order to keep away evil spirits and subdue demons, so it was said.